{"id":554,"date":"2013-05-22T18:30:16","date_gmt":"2013-05-22T18:30:16","guid":{"rendered":"http:\/\/www.richardleverton.co.uk\/?p=554"},"modified":"2013-05-22T17:07:01","modified_gmt":"2013-05-22T17:07:01","slug":"raw-video-and-obsession-with-tech-specs","status":"publish","type":"post","link":"http:\/\/www.richardleverton.co.uk\/index.php\/2013\/05\/22\/raw-video-and-obsession-with-tech-specs\/","title":{"rendered":"Raw video and Obsession with Tech Specs"},"content":{"rendered":"<p>The buzz over the Magic Lantern hack of the 5Dmkiii has dominated my Twitter feed over the past week to such an extent that it&#8217;s even drowned out the obsession with Adobe&#8217;s Creative Cloud (which is of course another blog post, but I&#8217;m waiting to actually use it before I really get into it!). And it seems to exemplify something that is easy to fall into the trap of, but is none-the-less counter-productive &#8211; tech spec obsession.<\/p>\n<p>Now before I launch into this, let me just say that I think it&#8217;s an amazing feat of software engineering that Magic Lantern have this working and I applaud them for it &#8211; Canon are consistently failing to cannibalise themselves, and so eventually someone was going to do it for them. As Stu Maschwitz wrote in his excellent post a few days ago, it&#8217;s no longer okay for camera makers to not give us everything they&#8217;ve got. I highly recommend checking the post out; http:\/\/prolost.com\/blog\/2013\/5\/15\/space-monkeys-raw-video-and-giving-us-all-youve-got.html<\/p>\n<p>The results from the raw recordings look great. So much so that I&#8217;m sure it&#8217;s hard for 5D owners to go back to shooting crappy H264s afterwards. But my main complaint of both the people who think that raw on 5D is the second coming *and* those who dismiss it as a waste of time, is that we&#8217;re absolutely focussing on the wrong things. The tech specs are thoroughly unimportant to a normal person. <\/p>\n<p>I&#8217;m a filmmaker because I want to tell stories that move people and make their lives better in some way, however small. I honestly believe that it does not matter to them one bit which camera a film was shot on. When I go to the cinema it *barely* matters to me. What is more important is being moved emotionally. As I&#8217;m immersed in a movie, its look (through lighting, framing, movement) has an effect on me on a subconscious level, as it should be. If you&#8217;re aware of the construct as you&#8217;re watching it, then how can you fully engage with the movie? <\/p>\n<p>I&#8217;m not saying that shooting raw is bad, far from it, it allows yet more possibilities for creating exactly the look that you want. For some projects it&#8217;s overkill I think (documentaries) and the workflow isn&#8217;t anywhere near as simple as it should be (though it&#8217;s getting better), but the bigger point is that if you can&#8217;t light, shooting raw isn&#8217;t going to fix that. If you don&#8217;t have a good sense of composition, shooting raw isn&#8217;t going to fix that. The technique of the person shooting is so much more important to a movie than the tech spec of the camera being used. <\/p>\n<p>As usual, it seems to come back to my stock line about all gear; it&#8217;s just a tool &#8211; now go make a film which makes me feel something. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The buzz over the Magic Lantern hack of the 5Dmkiii has dominated my Twitter feed over the past week to such an extent that it&#8217;s even drowned out the obsession with Adobe&#8217;s Creative Cloud (which is of course another blog post, but I&#8217;m waiting to actually use it before I really get into it!). And<a class=\"more-link\" href=\"http:\/\/www.richardleverton.co.uk\/index.php\/2013\/05\/22\/raw-video-and-obsession-with-tech-specs\/\">Continue reading <span class=\"screen-reader-text\">&#8220;Raw video and Obsession with Tech Specs&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"New blog post: \"Raw video and Obsession with Tech Specs\" - #5Dmkiii #raw","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[13,28],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p31sgK-8W","jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/554"}],"collection":[{"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=554"}],"version-history":[{"count":3,"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/554\/revisions"}],"predecessor-version":[{"id":557,"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/554\/revisions\/557"}],"wp:attachment":[{"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=554"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.richardleverton.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}